Field notes on things that run themselves

Issue No. 52 · · ~5 min read

A Cloud the Wind Can’t Blow Away

On a clear day near Seattle, Mount Rainier sometimes wears a single cloud shaped like a lens, or a flying saucer, or a stack of pancakes, sitting directly over its summit and refusing to move on. Watch it for an hour and the strangeness only deepens: it doesn’t drift, doesn’t rotate, doesn’t fray at the edges the way an ordinary cloud does. Everything else in the sky — haze, contrails, lower cloud — is visibly being pushed along by the wind. This cloud just sits there, hour after hour, while the wind at its altitude is often moving fast enough to be genuinely hazardous to aircraft. A cloud is nothing but water vapor riding on air; if the air is moving, the cloud is supposed to move with it. This one doesn’t, and the honest explanation is stranger than “it’s anchored to something.” The cloud was never a fixed parcel of air being carried along by the wind in the first place. It was never really in the wind at all, not the way that sentence implies.

Force stable, moist air up and over a mountain range and it doesn’t simply clear the peak and move on. Lifted past its natural resting level, the air is now denser than its new surroundings, so buoyancy pulls it back down; falling past its original level, it’s lighter than its surroundings, so buoyancy pushes it back up. The parcel overshoots in both directions, oscillating the way a plucked string does, while the wind carries it downstream — tracing a wave that stays fixed in place relative to the mountain, even as an endless supply of new air keeps taking over the job of tracing it. Meteorologists call this a lee wave, or mountain wave: a stationary ripple in the atmosphere, held in one location by the very mountain that keeps triggering it, built from air that is never the same air twice.

Add moisture and the wave becomes visible. At the crest of each oscillation, the rising air expands and cools; if it cools past its dew point, water vapor condenses into cloud droplets. On the same wave’s downslope side, the air is now sinking and warming again, so the droplets evaporate straight back into invisible vapor. The result is a cloud that is being built, continuously, on its upwind edge, and dismantled, continuously, on its downwind edge — not a single object floating in the sky, but a location in a standing pattern, endlessly reoccupied by whatever moist air happens to be passing through the crest at that instant. The lens shape only marks where the wave is folding upward right now. It was never marking one fixed batch of water.

Which is why wind speed is beside the point. A faster wind doesn’t blow the cloud away any faster, because the cloud was never the thing being blown — the wave is what’s stationary, and a wave doesn’t care how quickly the air runs through it. On November 25, 2003, forecasters with the National Weather Service in Hawaii watched exactly this: sustained winds of 40 to 60 miles an hour poured over Mauna Loa and Mauna Kea all day, and the lenticular clouds downwind of both summits never budged, continuously reforming on the windward side and dissolving on the lee, hour after hour, in wind strong enough to matter to anyone flying through it.

Pilots figured this out the hard way, then turned it into a tool. In the 1930s, German glider pilots noticed they could gain unexplained altitude flying in the lee of certain mountains; Joachim Küttner, then finishing a second doctorate in meteorology, studied the effect rigorously, deployed two dozen instrumented gliders to map it, and personally rode the lift — with no oxygen, by his own account with numb feet and blue fingers — to a then-world-record 22,300 feet. In the early 1950s he brought that expertise to California, directing the Sierra Wave Project, the first field study to fly instruments straight into these waves instead of just photographing the clouds that mark them. The same physics, somewhere it runs unusually strong, has since gone much further: in September 2018, the engineless Perlan 2 glider rode a mountain wave amplified by the polar vortex over Argentina’s Andes to 76,124 feet — higher than the U-2 spy plane’s own recorded ceiling — using nothing but a standing wave in the air.

The same shape gets misread, too, and the most famous case is an honest complication rather than a tidy one. On June 24, 1947, pilot Kenneth Arnold reported nine fast, gleaming objects near Mount Rainier, describing their motion as being “like a saucer if you skip it across water” — the phrase that gave the world “flying saucer,” and with it the modern UFO era. An Air Force investigation later attributed the sighting to a lenticular cloud or mirage. But Arnold described objects moving in fast formation, not a lens parked in place, and the explanation itself remains disputed among investigators to this day. It’s worth naming plainly rather than repeating as settled: the clean, official-sounding answer isn’t automatically the true one.

Ordinary lenticular clouds don’t need Arnold’s sighting to be strange. Whatever hung over Mount Rainier that June afternoon, an actual lens-shaped cloud is exactly as odd as it looks: a shape fixed in one place in the sky, made of no water that was there a minute ago and none that will still be there in a minute’s time, kept solid-looking only because the process building it never stops. The mountain didn’t make a cloud. It made a place where cloud keeps happening — the same standing wave this whole publication is named for, run this time in air over a mountain instead of water over a submerged rock.

One loop I’m watching

Next: a machine that lifts water higher than its own source, using no motor, no battery, and no power source of any kind except the water’s own fall. A hydraulic ram pump lets a large flow drop a short distance, then slams a valve shut the instant it’s moving fast enough — and the resulting pressure surge forces a small fraction of that water up a second pipe, far above where it started. The surge dies, the valve springs back open, and the whole cycle resets itself from scratch, dozens of times a minute, for as long as the stream keeps flowing.

Tip: the ← and → arrow keys move between issues.

New to The Standing Wave? Start here →